“I’m Here”: The Radical Optimism of “The Leftovers” Series Finale

 

 

Image result for book of nora leftovers

Swoon…

 

(This post actually covers what happened in the episode, and presupposes knowledge of the show. It has spoilers.)

“So,” Allison asked, turning to me with tear-blurred eyes as the last sweet gasp of The Leftovers faded away, “was all this just a way of telling us to be thankful for what we have?”

Before the finale, it might have seemed like an absurd question. This was a bizarre and at time operatically-bleak show about loss and grief, about how what you love can be taken away at any moment due to sickness or accident, chance or fate, one misstep or maybe some kind of supernatural event like, in the show, 2% of the world’s population disappearing all at once. Indeed, I titled my review of the opener (also in the words of Allison) “You’re Alone In Your Beliefs.

The show was about (inasmuch as it could be reduced) somehow trying to find meaning in the face of that.  Some people tried to find religion, or more likely start their own. Some entered doomed relationships where pain was the only thing that worked. Some joined cults, so threw themselves deeper into sex and nihilism. But everyone was broken by that universal truth: we’re all going to die. As Woland said in The Master and Margarita, the problem isn’t that man is mortal. It’s that he’s so often unexpectedly mortal.

How do we live with that? How do we trudge on? How do we find solace? It’s a question this remarkable TV show, one of the most astonishing I have ever seen, dared to ask but didn’t presume to answer. It didn’t care to solve its mysteries. And that turned out to be the answer the whole time.

(Much more below the jump)

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